I have always personally enjoyed this Boris Karloff scare fest set in the English countryside, but it may not be your cup of Earl Grey. I think it is the atmospheric locales complete with swirling fog banks and the rustic British environs plus the deeply saturated colors that most appeals to me. Boris is his sinister best in one of his latter day horror roles. I guess you could call this a cosmic horror tale as it is loosely based on H.P. Lovecraft’s “The Colour Out of Space” short tale.
American Nick Adams ventures to a distant estate to visit his fiance. Little does he realize that her father, Karloff, is engaged with an out of his control element that has rendered many in the household ill and dying. It seems that a great meteorite crashed in a field near the estate and at first exhibited properties that enabled plant and animal life to demonstrate exaggerated growth that might prove beneficial as food sources for an ever-hungry world. Alas, things took a turn for the worse and too much exposure to unknown properties of objects out in space can have adverse effects on the body over an extended period of time. Well, you see what is unfolding. Events go really badly. The ending of this thing is my favorite part. I guess the mutated, Super Chicken laid an egg. Watch out for The Silver Man!
An outsider travels to a rural English town to conduct business and uncovers an ages old secret. The town commemorates the execution of a witch centuries before. Our businessman begins to experience nightmares of weird rituals of which he is a participant and stumbles upon evidence of unwelcome intrusions into his room. Could it be that witchcraft practitioners are still active in the town and he is to be one of their unwitting sacrifices? I think you know the answer to that.
Enjoyable romp due chiefly to the presence of horror legends Boris Karloff and Christopher Lee. Both are very solid and, at turns, diabolical. Fitting. Also on hand for the fun are screen horror veterans Barbara Steele and Michael Gough.
Gruesome Hammer Films reinterpretation of the classic Universal monster movie vehicle of a mad, maverick doctor and his attempts to bring life to dead bodies. Made in 1957, this horror remake is a graphic, Technicolor chronicle of the despicable practices that Dr. Frankenstein engages in. Portrayed as a kind of sadistic, cold-hearted deviant, Peter Cushing is marvelous as the doctor. Cushing carries on an affair with his housekeeper even while his long suffering fiancé is sleeping upstairs in the castle. Having previously promised the housekeeper marriage, as well, Cushing laughs in her face and says he never had any such intention. When he learns that the housekeeper is pregnant and threatens exposing his behind closed door hobby of reanimating dead things, the good doctor locks the lass in the lab with the hideous creature and lets him rip her to pieces. Christopher Lee is more a less seen as one of the unluckiest characters in movie history. The “creature” never asked for this treatment but endures a horrific, miserably short lived existence. The brute stumbles out of Frankenstein’s estate and out in to the countryside. Killing at least one other unfortunate he has come across, the Creature is put out of its misery with a bullet to the head by Frankenstein’s assistant. If that isn’t enough, Dr. Frankenstein brings the beast back to life and the brain damaged result is converted in to a shambling, semi obedient pet following Frankenstein’s commands. It is a pathetic sight indeed. Frankenstein’s dream of creating the perfect “Superman” does in fact turn into a compete failure. This Hammer Films reboot makes that point quite painfully clear.
A varied collection of unusual movie and music video clips.
